Motivations of an arsonist

Motivations of an arsonist Arsonist Arsonist is a person who sets anything on fire intentionally. This intentional act is called the arson. Generally a home or another type of structure has been targeted by the Arsonist. Arson is committed for a number of reasons, and the crime is strictly punished throughout the world because arsonist sets property and lives at risk. In certain parts of the globe, if somebody expires in an arson fire, it is deemed to be a murder, instead of neglectful homicide or manslaughter because arsonist is considered such a reprehensible criminal. In all cases, an arsonist holds a prison term. (Holmes Holmes, 2008, pp. 3) In the majority of states, arson has been extended to comprise burning arrangements in addition to dwellings, burning the own assets for unlawful purposes, and destruction caused by an explosion or a fire. Currently if someone arson his/her house to avail the insurance benefits because the amount of insurance is higher than the actual real value of property that would be linked to arsonist (Stewart, 2006, 15-16). Other motives for arsonist would be to bomb or burn a religious place in a hate crime, or burn the property in vengeance for a denial to sell it. If an arsonist burns down his building as a figure of cheap destruction and unintentionally sets half the neighborhood on fire that may or maybe not an arsonist, depending on the legislation of the state. Fire by an arsonist includes the induction of a heat source that can be as unadorned as a match or as compound like dangerous chemicals with very low explosion temperatures. By the rule of legislation a fire is thought to be an arson fire when all other unintended causes have not been met. We can say that reason of a fire was arson and consequently intentional, the detective must have adequate proof the one of the issues in the arson triangle was interfered with. Motives for Arson The motives of that motivate arsonist vary from situation to situation and much research has been established to determine the motives of arsonists, which has allowed the Neighborhood Fire Team, to compile a list of ten broad groups of motives, drawn from current study and from the experience of group members. Such motives contain: Vandalism: This group covers intentional and willful fire setting that is just for the sake of it (Stewart, 2006, 18). It also contains fire setting due to dare and colleague group pressure. Vandalism motivated arson is usually spontaneous and impulsive and engages manifold executors. Schools are often the target of vandalism motivated arson, as are abandoned or empty properties and, in the experience of this project, abandoned vehicles. Unfriendly behavior fires are also often motivated by vandalism. Curiosity/ Fire Play: This group is usually utilized when the fire has been set by young kids who do not realize the hazards of fire and were playing with, for instance, discarded cigarette lighter or matches. The people concerned are generally taken onto the fire setters intersession program. Excitement: This group contains those who set fires for thrills, attention seeking, identification and sexual perversion. It can be seen already that none of these groups are clear-cut and one may lead to another: for instance vandalism may lead to the arsonist setting fires for the thrill of it; and childhood fire play may lead to setting fires intentionally for the amount of concentration it generates from adults. Revenge: This group contains fires set for individual retaliation (against a spouse, partner or other family member); retaliation against regime or other institutions: and fires which are set as retribution against rival gangs or groups or in order to intimidate. In fact, much arson has a component of retaliation (aware or unaware) as part of the motive. Arsons of this category are often much greater planned and carried out than other types, and may be one-off events. Crime-concealment: This is used to explain arson fires which are set in order to hide another offense or vital proof. For instance, a room that a murder had taken place might be fired by the executors in order to destroy the body and destroy the crime scene. Stolen vehicles are often set alight after being abandoned in order to try and destroy any forensic proof. (Schulz, 2007, pp. 55) Profit: This type contains insurance fraud and arson executed against a competitor to try to put them out of business. Extremist: This type contains arson perpetrated by terrorists or other extremists (animal rights activists) and also arson which happens during or as part of disturbances or other civil riot. Racial: This type is fairly self-explanatory and covers all fires which are set for reasons of ethnic tension or intolerance. Psychological illness: Neighborhood Fire Team employees have attended many incidents, both within housing units and in the wider society, where fire setting has been due to psychological illness. Serial Arson: This is where one person working alone sets a series of fires, often over a long period of time. Serial arsonists may have one or more of the other causes also involving to their fire setting behavior. (Pawson, 2006, pp. 91) Although the causes for arson are sometimes difficult, the law is generally crystal clear: anybody who intentionally sets fire to something will be punished for it. In some areas, a fire that is caused by great negligence or disregard will also be classified as arson. The punishment for committing arson depends on the degree of the offense: how much property was damaged the total cost of the damages, and whether or not people were trapped in the fire. The intent also performs a role: whether the fire was set to defraud an insurance agency, cover up an offense, was part of a retaliation offense, or was intended to amuse or entertain the arsonist, for instance. Most parts of the world have arson researchers, who examine the sites of suspicious fires to decide the cause of the fire and whether or not it was arson. This job can sometimes be quite complex, particularly when proof is obscured by the efforts of those attempting to put out or clean up the fire. Arson examiners use a range of methods to inspect the sites of fires containing chemical analysis of proof, the use of sniffer dogs, and simple powers of surveillance. References Holmes, Ronald M. Holmes, Stephen T. (2008). Profiling Violent Crimes: An Investigative Tool. New York: Sage Publications, pp. 1-5. Stewart, Gail. (2006). Crime Scene Investigations Arson. New York: Lucent Books, pp. 15-25. Pawson, Stuart. (2006). Some by Fire. Washington: Allison Busby, 92. Schulz, Karen K. (2007). Crime Scene Detective: Arson. New York: Prufrock Press, Inc, pp. 54-60.

The Caretaker by Pinter Essay -- essays research papers

The Caretaker by Pinter: A Play Can Be Confrontational, Challenging and Disturbing to the Values and Assumptions of An Audience. Discuss With close Reference The Caretaker, written by the British playwright Harold Pinter in the late 1950's and early 1960's disrupts the audiences perceptions of existence and their understandings of it. The play deconstructs perceived notions and conceptions of reality, and disturbs the audiences perception of their own identity and place within a world which is primarily concerned with the search and need for identity. Pinter was clearly influenced by the fashionable philosophic review of human condition that was prominent in the 1950's and 1960's – existentialism. The play attacks the notion that there are no absolute truths or realities. Pinter is therefore concerned with what exists as unknown and intangible to humanity. His theatre interrogates the truth of nature and realities of language and demonstrates that much of what the audience regards as fact is fiction as he explores the uncertainty of human existence. When an audience of the 1960's went to the theatre, it can generally be assumed that they had preconceived ideas about what they expected and what they are going to gain from the theatrical experience. The traditional attitudes towards theatre and the conventions of realist drama are disrupted by Pinter. This confronts the assumptions and values of the audience, an experience which would be disconcerting and frightening to many. Pinter divorces and exposes society's codes, institutions and human relations. Throughout the play the audience is rarely comfortable. This disruption is established from the outset of the play when Mick, a character who at this stage of the play the audience knows nothing about, sits on the bed and stares at the audience in silence for ‘30 seconds'. Traditionally in realist drama such as Henrik Ibsen's Hedda Gabler characters use simple exposition through language and non-verbal elements to ‘let the audience in' and enlighten them on what is happening on the stage and the results and reasons for and behind actions. Pinter disrupts this tradition and this in itself would have been a disturbing phenomena to the conservative audiences of post-war Britain. Mick's arrival on stage generates unease within the audience and the tension would only increase as Pinter provides the audience with... ...entity and the structure of society. This deferral of action is primarily indicated by Davies and Aston. The prime example of this is in Davies constant references to his planned trip to Sidcup and in Aston's references to the shed that he is planning to build. Through the representation of these possible future activities, it appears that it gives purpose to their current actions and to some extent a reason for living. It allows these characters to suggest that they are in fact worthwhile human beings with a purpose and a ‘life'. Pinter suggests through this deferral of actions that people's lives hold no worthwhile meaning and ultimately there is nothing gained at the point of death. The Caretaker is a subversive play that demythologises many of an audiences assumptions and values. Pinter makes the audience experience paranoia and feelings of menace and by disrupting conventions of social behaviour and ignoring traditional dramatic ‘realist' protocol, Pinter confronts and challenges the values and assumptions of an audience. He successfully deconstructs notions of power and security, and problematises the conservative belief that there are in fact absolute truths and realities.

Cloud Atlas

Cloud Atlas Concept of â€Å"predacity† as related to class topics: The concept of â€Å"predacity†, in my opinion, is related to so many of the topics discussed in class. The most formidable connection would be that of human on human. In regards to race, class and gender, â€Å"predcaity† fits the system in which the American culture has been designed around. Rich white men have been the predators of poor minorities and women since the creation of the United States. Minorities and women have been discriminated against since the pilgrims set sail and the revolutionaries first wrote the declaration of independence.What followed was a constitution that, in theory, gave only white men the freedom of life, liberty and property. Women and blacks couldn’t own property nor did they have the same liberty white men had. To this day women and minorities are still discriminated against in a predator like way. Predacity could even be taken to the extent of harming wom en and races that weren’t white. The Native American Indians were murdered for their land, Africans were enslaved, killed and tortured at the crack of their masters whip. The vicious truth of human nature is one of animal like â€Å"Predator vs Prey† approach.The one actor said a couple times throughout the movie that â€Å"those who are weak are meat, those who are strong will eat. † Rich white men have preyed on the economical and social gain of others for millennium. What we’ve discussed in class shows predacity like examples in current systems we have in the United States today. The way corporations prey on those who will work or are forced to work for cheap or no labor in over sea workshops and brothel like set-ups gives more verification to human predacity in modern times. Recurrence as a theme and preventing predacity from recurring:The theme of recurring in the movie happened with every different time and environment. People preying on people, com panies preying on companies and groups preying on groups were all part of the theme of the movie. Examples like the oil company hoping the nuclear building failed and killed as many lives as possible was a form of predacity. The cannibal hunters that continued to attack Tom Hanks village was a form of predacity and the Asian women being used as a tool for economic gain was a form of human on human predacity.What was clear was the failure of some individuals to change the path of recurring predacity. The way in which predacity was prevented from recurring was an individual’s love for another. It was the love for another person that forced change within the individual that created a change from the recurring theme. We saw examples of this when the man who helped the African on the sail boat and decided not to deal with slave owners and move east to help the abolitionists, Tom Hanks when he didn’t kill or stop Halle Berry when she told him that what he believed in was act ually false and incorrect.In order to change the recurring theme the individuals within the environment must change first. This is one of the fundamental ideas we have discussed throughout course discussions. I personally loved this movie. It was arguably one of the best movies I’ve seen in some time and was highly enjoyable. It showed the power of love for people and the way an individual can change the course of predcaity. I gave it an A+.

Dance Therapy Essay - 1803 Words

Dance Therapy Dance therapy is a type of psychotherapy that uses movement to further the social, cognitive, emotional, and physical development of the individual. Dance therapists work with people who have many kinds of emotional problems, intellectual deficits, and life-threatening illnesses. They are employed in psychiatric hospitals, day care centers, mental health centers, prisons, special schools, and private practice. They work with people of all ages in both group and individual therapy. Some also engage in research. Dance therapists try to help people develop communication skills, a positive self-image, and emotional stability. Origins Dance therapy began as a profession in the 1940s with the work of Marian Chace. A†¦show more content†¦She developed a process called movement in-depth, an extension of her understanding of dance, movement, and depth psychology. She helped found the contemporary movement practice called authentic movement. In this type of movement, founded on the principles of Jungian analysis, patients dance out their feelings about an internal image, often one that can help them understand their past or their current life struggles. One of Whiteheads students, Janet Alder furthered Whiteheads work in authentic movement by establishing the Mary Starks Whitehouse Institute in 1981. In 1966, dance therapy became formally organized and recognized when the American Dance Therapy Association (ADTA) was formed. Benefits Dance therapy can be helpful to a wide range of patients--from psychiatric patients to those with cancer to lonely elderly people. Dance therapy is often an easy way for a person to express emotions, even when his or her experience is so traumatic he or she cant talk about it. It is frequently used with rape victims and survivors of sexual abuse and incest. It can also help people with physical deficits improve their self-esteem and learn balance and coordination. 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